Description
Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post.
For ex. if part of an image is redundant, just crop it out without worrying about pixel loss.
75mm, having a longer reach, is considered a complement to the 50mm, suitable for capturing distant subjects and close ups.
Carefully crafted for 8K shooting, this lens is going to satisfy professional filmmakers’ demand for high-quality images.
75mm T2.9 1.6x behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, so a narrow angle of view is formed. When shooting 3:2, this lens offers a 2.4:1 aspect ratio. But when shooting 16:9, you get a significantly wider 2.8:1 aspect ratio.
An increasing number of monitors today come with a 1.6x de-squeeze capability, which allows filmmakers to see proper images while shooting.
Beutiful Oval Bokeh
This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.
Vibrant Lens Flares
Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image.
A Maximum Aperture of T2.9
When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.
Cine Lens Housing
This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup.
Match Perfectly with Full Frame Cameras
This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.
Technical specifications:
Diameter (mm): 88
Diaphragm Plates: 10
Filter Size (Circular) (mm): 82
Fixed Focus Distance (mm): 75
Focus Type: Manual Focus
Image Stabilizer: No
Length (mm): 155.5
Lens Elements / Groups: 15/13
Lens Format Coverage: Full Frame
Lens/Camera Mount Type: Sony FE
Max Aperture: 2.9
Max Magnification (x): 1:10.15(V) 1:15.66(H)
Min Aperture Opening: 16
Min Focus (cm): 85
Weight (g): 1373
Photo / Video: Video
